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Yosh records an hour of thumping UKG, breaks and acid for the Fresh Kicks mix series, and chats to Oli Warwick about his life in the rave and finding his true sound
Yosh records an hour of thumping UKG, breaks and acid for the Fresh Kicks mix series, and chats to Oli Warwick about his life in the rave and finding his true sound
Sly & Lovechild, Mark Lanegan Band, Saint Etienne, Gwenno, and The Orielles all feature
Turntablist and producer Jon1st delivers his annual end of year megamix via the On Cue series: a tempo-shifting set of hyped-up breaks, turbo-charged drum & bass and breakneck genre fusionism.
Turntablist and producer Jon1st delivers his annual end of year megamix via the On Cue series: a tempo-shifting set of hyped-up breaks, turbo-charged drum & bass and breakneck genre fusionism. After a year that saw him launch a weekly A/V mix series and drop an impressive run of releases, he tells DJ Mag about how learning audio-visual skills sharpened his production scalpel, and how turntablism should be fun, not just technical
at the end of the day it's a game ov two halves really init
aya has dazzled the UK underground with her experimental club productions and genre-hopping DJ sets, which she demonstrates in her exhilarating “at the end of the day it's a game ov two halves really init” mix. The London-based, Huddersfield-raised artist also speaks to Sophie McNulty about how her creative upbringing in West Yorkshire informs her work, and how her hyper-detailed process allows her to create art that is genuine
Carlton Doom delivers a 60-minute mix of his own productions
In this week’s Fresh Kicks mix, Belfast’s very own Carlton Doom delivers a 60-minute archive of his own productions, in the form of intoxicating breaks, guttural techno and lo-fi sounds. He also chats to Amy Fielding about AVA Festival, clubbing at 15, and producing under an alias
Dealing in experimental sci-fi soundscapes as much as it does club bangers, Mexico City’s Infinite Machine has spent a decade at the cutting edge of dance music futurism. Alongside a mix of tracks from its catalogue by Galtier, founder Charlie Juarez discusses the label’s revered alumni, digital interconnectedness, and how it all started with screamo
Dealing in experimental sci-fi soundscapes as much as it does club bangers, Mexico City’s Infinite Machine has spent a decade at the cutting edge of dance music futurism. Alongside a mix of tracks from its catalogue by Galtier, founder Charlie Juarez discusses the label’s revered alumni, digital interconnectedness, and how it all started with screamo
Dublin’s Sputnik One blends bubbling techno, buoyant bass and depth-charge dancehall in his exhilarating Fresh Kicks mix, and chats to Eoin Murray about balancing groove with emotion, his recent Wisdom Teeth EP, and the influence of Fela Kuti on his music
Dublin’s Sputnik One blends bubbling techno, buoyant bass and depth-charge dancehall in his exhilarating Fresh Kicks mix, and chats to Eoin Murray about balancing groove with emotion, his recent Wisdom Teeth EP, and the influence of Fela Kuti on his music
Bumako Recordings' Jenifa Mayanja records an hour of smooth deep house and funk-fuelled grooves for the On Cue series
Bumako Recordings' Jenifa Mayanja records an hour of smooth deep house and funk-fuelled grooves for the On Cue series and, in the midst of a vibrant new creative chapter in her life, chats to Zara Wladawsky about the evolution of her label, her mentoring programme, and preserving the classic New York sound
Featuring games, performances, tombola, workshops and more
With sizzling electro, crunching breakbreats, frenzied footwork and much more in between, Nikki Nair records a jaw dropping productions mix for the Recognise series, and chats to Katie Thomas about his route into music-making and DJing, the importance of respecting dance music history, and the push for a more diverse scene
With sizzling electro, crunching breakbreats, frenzied footwork and much more in between, Nikki Nair records a jaw dropping productions mix for the Recognise series, and chats to Katie Thomas about his route into music-making and DJing, the importance of respecting dance music history, and the push for a more diverse scene